Portfolio

Installation, sculpture and paintings by Adam Turl


Key/Legend (The Barista Who Could See the Future) 

Acrylic, coffee, cotton, stickers, glitter, wig-hair, Sharpie and mixed-media on canvas (2017).

After You Leave (13 Baristas)
Acrylic, coffee and gum on canvas (2015).

13 Baristas (salon installation at Des Lee Gallery)

Acrylic, coffee, gum on canvas with 500 copies of the 13 Baristas newspaper (2015).

Lucy Parson and the Sans Culottes (The Barista Who Could See the Future)

Acrylic, coffee, cotton, stickers, glitter, wig-hair, Sharpie and mixed-media on canvas (2016).

 

Dead Paintings VI

Paintings buried in the earth for eight months, exhumed, with one panel used to create an iron mold (2012-2014).

America's Spiritual Heroes (detail)

Acrylic, oil, cotton, ash and concrete on canvas (2014).

The Barista Who Could See the Future (first installation at Dollar Art House)

Acrylic, coffee, cotton, stickers, glitter, wig-hair, Sharpie and mixed-media on canvas with furniture, found objects, McDonalds, prints (2016).

13 Baristas (Saint Louis installation) 

Acrylic, coffee and gum on canvas with found objects (2015).

13 Baristas (Brett Wesley/Las Vegas installation detail) 

Hanging light, coffee cups, acrylic and coffee (2015).

13 Baristas (Brett Wesley/Las Vegas installation detail) 

Acrylic, coffee and gum on canvas with furniture, mixed-media, hanging light, coffee cups, acrylic and coffee (2015).

Kick the Cat (installation at Project 1612 in Peoria, Illinois)

Acrylic, coffee, Sharpie and mixed-media on canvas with cups, mattress, found objects, post-cards, etc. (2015)

Dead Paintings X

Paintings installed in an earth trench for eight months (2014).

A Painter of Our Time (installation at the Sam Fox "Safe Space")

Acrylic, cotton, concrete, newspaper, ash and Sharpie on canvas with photographs, wood, newspaper, found objects, hanging lights (2014).

 

Dead Paintings X (detail)

Paintings installed in an earth trench for eight months (2014).

 
 

The Healing Properties of Post-Industrial Debris: IH Bricks (The Barista Who Could See the Future)

Acrylic, coffee, glitter ash, stickers, wig-hair, Sharpie on canvas with bricks from the abandoned International Harvester plant in Canton, Illinois and wood (2017).

Red Mars (salon installation at the Kemper Museum/Saint Louis)

Acrylic, coffee, meteorite dust, glitter, stickers, Sharpie and mixed-media on canvas with LED sign, chair, telescope and 500 copies of a Red Mars comic (2016).

Governor's Daughter/Misplaced Otters (Red Mars)

Acrylic, coffee, meteorite dust, glitter, stickers and mixed-media on canvas (2016).

Athena Correctional Institute for Juveniles (Red Mars)

Acrylic, coffee, meteorite dust, glitter, stickers, Sharpie and mixed-media on canvas (2016).

13 Baristas (Brett Wesley/Las Vegas installation detail) 

Acrylic, coffee and gum on canvas with furniture, mixed-media, hanging light, coffee cups, acrylic and coffee (2015).

Utah Debt Collector (The Barista Who Could See the Future)

Acrylic, coffee, cotton, stickers, glitter, wig-hair, Sharpie and mixed-media on canvas tarp (2016).


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